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<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description>codytrepte.com</description><title>news.codytrepte.com</title><generator>Tumblr (3.0; @ccttnews)</generator><link>http://news.codytrepte.com/</link><item><title>Searchin': Los Angeles and the Quest for the Sublime</title><description>&lt;p&gt; January 27 - April 19, 2013&lt;/p&gt;&lt;div&gt;&lt;div&gt;&lt;br/&gt;&lt;/div&gt;&lt;div&gt;Thomas Altheimer, Kevin Cooley, Zoe Crosher, Aaron Gisel, Mara de Luca, Cody Trepte, Erika Yoemans&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br/&gt;&lt;/div&gt;&lt;div&gt;Angels Gate Cultural Center &lt;/div&gt;&lt;div&gt;3601 South Gaffey Street &lt;/div&gt;&lt;div&gt;San Pedro, California&lt;/div&gt;</description><link>http://news.codytrepte.com/post/40443919793</link><guid>http://news.codytrepte.com/post/40443919793</guid><pubDate>Sun, 13 Jan 2013 10:37:14 -0800</pubDate></item><item><title>LAMENT: for altered, erased, and lost histories</title><description>&lt;p&gt;September 7th - October 20th&lt;br/&gt;Opening reception: Friday, September 7th at 7pm&lt;/p&gt;
&lt;p&gt;&lt;a href="http://platformgallery.org" target="_blank"&gt;PLATFORM&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;121-100 Arthur Street, Winnipeg, Manitoba&lt;/p&gt;
&lt;p&gt;Evergon (Montreal, PQ), Chris Curreri (Toronto, ON), Shawna Dempsey + Lorri Millan (Winnipeg, MB),  Jenna Edwards (Toronto, ON), Tess Hurrell (London, UK), Jason Lazarus (Chicago, IL), and Cody Trepte (Los Angeles, CA)&lt;/p&gt;</description><link>http://news.codytrepte.com/post/30464771511</link><guid>http://news.codytrepte.com/post/30464771511</guid><pubDate>Wed, 29 Aug 2012 11:37:00 -0700</pubDate></item><item><title>GO ASK A.L.I.C.E: Turing Tests, Parlor Games, &amp; Chatterbots</title><description>&lt;p&gt;September 11 - December 20&lt;br/&gt;&lt;a href="http://www.fas.harvard.edu/~hsdept/chsi_goa.html" target="_blank"&gt;Department of the History of Science&lt;/a&gt;&lt;br/&gt;
Harvard University&lt;/p&gt;</description><link>http://news.codytrepte.com/post/30440014038</link><guid>http://news.codytrepte.com/post/30440014038</guid><pubDate>Tue, 28 Aug 2012 22:44:18 -0700</pubDate></item><item><title>Picturing Paradoxes: An Interview With Cody Trepte</title><description>&lt;a href="http://www.laimyours.com/25652/picturing-paradoxes-an-interview-with-cody-trepte/"&gt;Picturing Paradoxes: An Interview With Cody Trepte&lt;/a&gt;</description><link>http://news.codytrepte.com/post/29847928045</link><guid>http://news.codytrepte.com/post/29847928045</guid><pubDate>Mon, 20 Aug 2012 13:52:09 -0700</pubDate></item><item><title>Echo of Echo</title><description>&lt;p&gt;&lt;a href="http://shoshanawayne.com/upcoming-exhibition.php?id=348067&amp;amp;name=Echo_of_Echo_-_Group_Exhibition#" target="_blank"&gt;Shoshana Wayne Gallery&lt;/a&gt;&lt;br/&gt;2525 Michigan Avenue, B1, Santa Monica, CA&lt;/p&gt;
&lt;p&gt;September 8 - October 13, 2012&lt;br/&gt; Opening September 8, 6:00 - 8:00&amp;#160;pm &lt;/p&gt;
&lt;p&gt;Curated by Shirley Tse and Marichris Ty&lt;/p&gt;
&lt;p&gt;Erich Bollmann, Dawn Clements, Ivan Iannoli, Jason Bailer Losh, Michael John Kelley, Keaton Macon, Julie Orser, Damaris Rivera, Rachelle Rojany, Samantha Roth, and Cody Trepte.&lt;/p&gt;</description><link>http://news.codytrepte.com/post/29847755510</link><guid>http://news.codytrepte.com/post/29847755510</guid><pubDate>Mon, 20 Aug 2012 13:49:24 -0700</pubDate></item><item><title>KNOWLEDGES at Mount Wilson Observatory</title><description>&lt;p&gt;June 23rd &amp;amp; 24th, 2012&lt;br/&gt;&lt;br/&gt;Lita Albuquerque, James Benning, Jennifer Boysen, Center for Land Use Interpretation, Claude Collins-Stracensky, Cloud Eye Control (Anna Oxygen, Miwa Matreyek, Chi-wang Yang), Zoe Crosher, Russell Crotty, Ben Evans, Charles Gaines, Katie Grinnan, Mark Hagen, Emilie Halpern, Harmonica Rascals (David Bunn, Heather Bennett, Donnie Stroud), Dave Jurasevich, Norman Klein, Emily Lacy, Marilyn Lowey, Miwa Matreyek, Tony Misch, Museum of Jurassic Technology, Christina Ondrus, Laura Riboli, Kim Schoen, Elleni Sclavenitis, Sneaky Snake (Ian James &amp;amp; George Jensen), Gabie Strong, Kara Tanaka, Mungo Thomson, April Totten &amp;amp; Donnie Stroud, Cody Trepte, Kerry Tribe, Dani Tull, Louisa Van Leer, Viralnet.net (Kadet Kuhne, Tom Leeser, Gregory Lenczycki, Andrea Polli, Gardner Post &amp;amp; Brian Kane, Lea Rekow)&lt;/p&gt;
&lt;p&gt;&lt;a href="http://theknowledges.org/" target="_blank"&gt;Directions and info&lt;/a&gt;&lt;/p&gt;</description><link>http://news.codytrepte.com/post/25684060212</link><guid>http://news.codytrepte.com/post/25684060212</guid><pubDate>Fri, 22 Jun 2012 18:05:23 -0700</pubDate></item><item><title>Its Endless Undoing</title><description>&lt;p&gt;Sebastian Black, Richard Evans, Alex Kwartler, Dominic Nurre, Martin Oppel, Jonathan Peck, Sreshta Rit Premnath, Lauren Seiden, Colin Snapp, Cody Trepte.&lt;/p&gt;
&lt;p&gt;June 10 - July 15, 2012&lt;/p&gt;
&lt;p&gt;&lt;a href="http://thierrygoldberg.com/" target="_blank"&gt;Thierry Goldberg Gallery&lt;/a&gt; &lt;br/&gt;103 Norfolk Street, New York, NY 10002&lt;/p&gt;</description><link>http://news.codytrepte.com/post/23647014818</link><guid>http://news.codytrepte.com/post/23647014818</guid><pubDate>Wed, 23 May 2012 18:54:25 -0700</pubDate></item><item><title>Contemporary Absences</title><description>&lt;a href="http://"&gt;Contemporary Absences&lt;/a&gt;: &lt;p&gt;By Atli Bollason&lt;/p&gt;</description><link>http://news.codytrepte.com/post/21370852740</link><guid>http://news.codytrepte.com/post/21370852740</guid><pubDate>Wed, 18 Apr 2012 23:09:00 -0700</pubDate></item><item><title>Made in L.A.</title><description>&lt;p&gt;&lt;a href="http://hammer.ucla.edu/exhibitions/detail/exhibition_id/216" target="_blank"&gt;Hammer Museum&lt;/a&gt; / LAXART&lt;br/&gt; June 2, 2012 - September 2, 2012&lt;/p&gt;</description><link>http://news.codytrepte.com/post/19416093566</link><guid>http://news.codytrepte.com/post/19416093566</guid><pubDate>Fri, 16 Mar 2012 15:18:00 -0700</pubDate></item><item><title>Dualities, Omissions, Loops, and Ruptures</title><description>&lt;p&gt;Chris Engman, Cody Trepte, Samantha Roth, and John Houck&lt;br/&gt;&lt;br/&gt; March 3 - April 7, 2012&lt;br/&gt; Opening Reception: Saturday, March 3rd, 6-9 PM&lt;br/&gt;&lt;br/&gt; at &lt;a href="http://www.luisdejesus.com/" target="_blank"&gt;Luis de Jesus&lt;/a&gt;&lt;br/&gt; 2685&amp;#160;S. La Cienega Boulevard, Los Angeles&lt;/p&gt;</description><link>http://news.codytrepte.com/post/17532120048</link><guid>http://news.codytrepte.com/post/17532120048</guid><pubDate>Sun, 12 Feb 2012 19:15:00 -0800</pubDate></item><item><title>Quadrature Ghost</title><description>&lt;p&gt;I made a new &lt;a target="_blank" href="http://codytrepte.com/projects/quadrature-ghost/"&gt;print&lt;/a&gt; and wrote an accompanying &lt;a target="_blank" href="http://codytrepte.com/writing/quadrature-ghost/"&gt;text&lt;/a&gt; for &lt;a target="_blank" href="http://www.materialpress.org/"&gt;Material Press&lt;/a&gt;.&lt;/p&gt;</description><link>http://news.codytrepte.com/post/12348216134</link><guid>http://news.codytrepte.com/post/12348216134</guid><pubDate>Fri, 04 Nov 2011 17:48:18 -0700</pubDate></item><item><title>Language &amp; Uncertainty: Artist talk with Kim Schoen and Cody Trepte</title><description>&lt;p&gt; Saturday, July 23rd   1-3pm&lt;br/&gt;&lt;br/&gt;&lt;a href="http://lmprojects.net/index.php?s=exhibit&amp;amp;id=8" target="_blank"&gt; LM Projects&lt;/a&gt;&lt;br/&gt; 125&amp;#160;W. 4th St. No. 103&lt;br/&gt;Los Angeles, CA 90013&lt;br/&gt;&lt;br/&gt; Kim Schoen and Cody Trepte will discuss the links between their practices in a conversation organized around a series of paired works, shared in a diptych slide show. The pairs were selected to outline some of the threads that run between their practices &amp;#8212; covering process, themes of science, language, and the pleasure in uncertainty.&lt;/p&gt;</description><link>http://news.codytrepte.com/post/7204460399</link><guid>http://news.codytrepte.com/post/7204460399</guid><pubDate>Sun, 03 Jul 2011 14:53:00 -0700</pubDate></item><item><title>New multiple produced with LM Projects</title><description>&lt;p&gt;&lt;a href="http://lmprojects.net/index.php?s=news_release&amp;amp;id=13" target="_blank"&gt;LM Projects&lt;/a&gt; is pleased to announce its newest invitational; a multiple from Los Angeles based artist Cody Trepte. This project continues Trepte’s interest in language and appropriated imagery yet serves as a precursor to a new body of work that investigates meaning through omission.&lt;/p&gt;
&lt;p&gt;Trepte pairs a found silver gelatin photograph with a text based silkscreen to be displayed either as a diptych or in disparate locations within a single space. Unique to the silkscreen is a UV sensitive ink that reveals the phrase So This Is upon direct exposure to sunlight. Absent of light, the print returns to a state of invisibility, or a mere ghost of itself. Over the course of its lifespan (an unknown point in time) the phrase will eventually fix in a gradation of warm tone ink. The photograph is curious and comical with a clown like character at its center bathed in hard sunlight in a nondescript location. Its meaning and provenance remain a mystery. Like the silkscreen, it pulls the viewer in to decipher meaning, a relationship or clue. The works carry a durational quality, slowly revealing new sets of questions or inquiry over time.&lt;/p&gt;
&lt;p&gt;Amongst the subtle similarities, the two share the form of an ellipsis – held up high by the costumed character in the photo and in place of the ‘o’ in So This Is. This is a critical gesture for Trepte as he refers to the ellipsis in linguistics as a strategy to question meaning through the omission of content. In linguistics, the ellipsis refers to the deliberate removal of one or more words in a phrase without the phrase losing its meaning (i.e. “Fire when ready” understood as “Fire when you are ready”). Meaning is understood based on context not necessarily on content. For Trepte, this elliptical construction serves as a new vehicle for approaching subject and thinking about how work is understood independently, in relationship to a pair or any given multitude. The viewer is asked to play an active participant in distilling these complexities.&lt;/p&gt;</description><link>http://news.codytrepte.com/post/6399796043</link><guid>http://news.codytrepte.com/post/6399796043</guid><pubDate>Fri, 10 Jun 2011 16:36:00 -0700</pubDate></item><item><title>In - and outside - writing</title><description>&lt;p&gt;Voorkamer&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Lier, Belgium&lt;br/&gt;May 21st - July 2nd&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;br/&gt;Kelly Chorpening (USA) Peter Morrens (BE) Rebecca Fortnum (UK) Ans Nys (BE) Marc Nagtzaam (NL) Rik De Boe (BE) Marijn van Kreij (NL) Johan De Wilde (BE) Reinhard Doubrawa (DE) Toine Horvers (NL) Rinus Van de Velde (BE) Katrin Stroebol (DE) Voebe de Gruyter (NL) Christoph Fink (BE) Reinaart Vanhoe (NL) Werner Mannaers (BE) Alice O’Hanlon (UK) Maria Barnas (NL) Hiroko Ichihara (JP) Armand Schulthess (CH) Philippe Vandenberg (BE) Ante Timmermans (BE) Guy Rombouts (BE) Serge Onnen (FR) Ryan Brown (USA) Pol Pierart (BE) Vaast Colson (BE) Lore Smolders (BE) Dries Warlop (BE) Sacha Eckes (BE) Simon Benson (UK) Anne Daems (BE) Guy Richards Smit (USA) Patricia Smith (USA) Carlo Mistiaen (BE) James Brooks (UK) Wouter Coolens (BE) Molly Springfield (USA) Pavel Büchler (CZ) Louisa Minkin (UK) David Blackmore (IRL) Rosalie Schweiker (UK) Susan Johanknecht (UK) Kate Scrivener (UK) Rosalie Schweiker (UK) Sonia Boyce (UK) Adam Humphries (UK) Anna Mossman (UK) Dean Hughes (UK) Rupert Norfolk (UK) Benoît Felix (BE) Ane Mette Hol (NO) Beni Bischof (CH) Bert Mebius (NL) Frank Selby (USA) Cody Trepte (USA) Deb Solokow (USA) Geert Clarisse (BE) llse Ermen (BE/CH) Jim Torok (USA) Joe Amrhein (USA) Joe Hardesty (USA) William Powhida (USA) Ofer Wolberger (USA) Rachel E. Foster (USA) Fred Eerdekens (BE) Steve Roden (USA) David Kramer (USA) Denicolai &amp;amp; Provoost (BE) Paul Casaer (BE) Kasper Andreasen (DK) Thierry De Cordier (BE) Wilhelm Sasnal (PL) Tine Melzer (DE) Norma Markley (UK) Melvin Way (UK) Stephan Van Den Burg (NL)&lt;/span&gt;&lt;/p&gt;</description><link>http://news.codytrepte.com/post/6399772735</link><guid>http://news.codytrepte.com/post/6399772735</guid><pubDate>Fri, 10 Jun 2011 16:35:00 -0700</pubDate></item><item><title>Artist talk with Sarah Seager</title><description>&lt;p&gt;as part of &lt;em&gt;On The Line&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;March 31, 7-9pm&lt;br/&gt;LACE&lt;br/&gt;6522 Hollywood Blvd.&lt;/p&gt;</description><link>http://news.codytrepte.com/post/6399761485</link><guid>http://news.codytrepte.com/post/6399761485</guid><pubDate>Fri, 10 Jun 2011 16:34:00 -0700</pubDate></item><item><title>On The Line</title><description>&lt;p&gt;Meg Cranston, Larry Johnson, Sarah Seager, and Mitchell Syrop&lt;/p&gt;
&lt;p&gt;March 3 - April 17&lt;br/&gt;Opening Reception: Thursday, March 3rd, 8-10pm&lt;/p&gt;
&lt;p&gt;&lt;a href="http://welcometolace.org/exhibitions/view/on-the-line/" target="_blank"&gt;LACE&lt;/a&gt;&lt;br/&gt;6522 Hollywood Blvd.&lt;/p&gt;
&lt;p&gt;Curated by Cody Trepte&lt;/p&gt;
&lt;p&gt;Since its inception in the late ‘60s, Conceptualism has shaken the art world, giving rise to a new type of art that prioritized ideas over form. As it developed, Conceptual Art began to spill over into other facets of art making, but its heavy reliance on language continued to fuel criticism that it was inaccessible and insider.&lt;/p&gt;
&lt;p&gt;A new generation of artists gaining prominence in Los Angeles during the ‘80s sought to tackle this problem head on. On The Line looks to four artists &amp;#8212; Meg Cranston, Larry Johnson, Sarah Seager, and Mitchell Syrop &amp;#8212; whose use of language can be seen as an evolution of Conceptualism. They parsed the discipline and introduced a content that was more emotive while still maintaining the rigorous investment in ideas that artists like Sol Lewitt and Joseph Kosuth set forth.&lt;/p&gt;
&lt;p&gt;With a casual commitment to systems, a heavy injection of reclaimed subjectivity, and the reintroduction of formal concerns, the artists in this exhibition continue to morph the use of text-in-art from its early rigid applications to a more humorous and pathos filled practice. The result is a simultaneous questioning and affirmation of Conceptualism which allows itself to be continually reinvented.&lt;/p&gt;
&lt;p&gt;Exhibition hours:&lt;br/&gt;Wednesday - Sunday, noon – 6pm and Thursday, noon – 9pm&lt;/p&gt;</description><link>http://news.codytrepte.com/post/6399658703</link><guid>http://news.codytrepte.com/post/6399658703</guid><pubDate>Fri, 10 Jun 2011 16:31:00 -0700</pubDate></item></channel></rss>
